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Online Content
Reports
Imagining the Impossible
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In 2020, the Point examines how our cultural and sociopolitical systems are implicated in climate change, and what actions the arts industry can take.
Tribute
Gaylord Chan, 1925–2020
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I think Gaylord would have liked to be missed, but not mourned.
Essays
Whose Land? Examining Claims to Sand and Memory
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Land reclamation is a fact of life in Singapore.
Review
Spring in New York
Spring in New York
Liu Xiaodong
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Liu Xiaodong’s exhibition “Spring in New York,” presented online by Lisson Gallery, offered small windows of solitude and contemplation amid the chaos that has erupted in the United States.
Review
“I have no idea, because I have no idea” and “Joy of Painting”
“I have no idea, because I have no idea” and “Joy of Painting”
Insane Park
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In times of uncertainty, the human brain has a tendency to seek reprieve by deliberately detaching from reality.
Print Content
REPORTS
Inas Halabi on Rosalind Nashashibi
Vancouver
Beirut Explosion Devastates City and Cultural Community
Hang Ten
Bumpy Recovery
New Protocols
Sites and Sights
Give It a Twist
PROFILES
Rachel Teo: The Micro Initiator
Zheng Mahler: The Tides of Time
Miljohn Ruperto: (Am)bivalent Images
FEATURES
Lam Tung Pang: Looking at Looking
Up Close: Allison Chhorn, Diane Severin Nguyen, Forensic Architecture
From Photo to Fine Art: Tim Gardner’s Transformative Paintings
REVIEWS
22nd Biennale of Sydney: “NIRIN”
Unusual Tranquility
Diagonal
Lorna Simpson: Special Characters
Lananh Lê: frozen data
Michael Rakowitz
Haider Jabbar: Decapitation
Joonhong Min and Shinuk Suh: Rendered Reality
Cutting to the Core
WHERE I WORK
Norberto “Peewee” Roldan: Between History and Hope
THE SKETCH
Map Office: preserving communities of the sea
